Tag Archives: Kimbra

Top 30 Videos of 2012: 30 – 26

For its third consecutive year, we are back with the best videos of the year! 2010 was a big year for pop, with Lady Gaga taking the top spot. 2011 was an obvious winner, with Gotye and Kimbra facepainting their way to number one. What of this year? Well, it’s an incredibly mixed bag. I had a lot of fun watching and putting this list together, so I do hope very much indeed that you at least find a couple of clips that tickle your fancy. And really, with the amount of different styles and videos on display here, it would take quite a stern reader to not find any enjoyment in this countdown, if I do say so myself!

Alright, let’s begin!

With apologies to: Tom Waits, Childish Gambino, Killer Mike, The Black Keys, Gorillaz, OFF!, Hilltop Hoods, Kimya Dawson, Matt & Kim, Pet Shop Boys, Macklemore and Grizzly Bear.

30. King Parrot – Shit on the Liver
Directed by Dan Farmer

Here was a late-runner in proceedings, but one that scaled the ranks quite quickly – probably as fast as the blast-beats heard throughout the song itself. At a time when a lot of Australian metal dudes are just humourless black-clad fucks stroking their goatees, Melbourne’s King Parrot like to fuck with things just a little. They’re already out their enough as it is with their grindcore-influenced take on metal, but they push the envelope just a little further with this manic video. A limited-budget, once again, proves to have zero correlation with limited imagination. The best Australian metal video in years.

Read my original post on Shit on the Liver here.

29. Liars – Brats
Directed by Ian Cheng

There was always something about Liars that never quite sat right with me. I don’t know whether it was just an air of we’re-so-clever that ticked me off, or their drony monotone vocals that plagued their earlier material. Whatever the case, they have started to impress me more and more lately – and I can’t think of a better example of just how they have done this than with the truly demented video for Brats. At first, it feels like someone on acid playing around with a pre-internet animation computer program. Delving further makes it feel like… well, still like someone on acid doing something. But that’s almost the point. Using incredible motion capture work and a healthy dose of glitching weirdness, Liars are officially out of my bad books. Well played, boys.

28. Solange – Losing You
Directed by Melina Matsoukas

Her moment has arrived. Her time in the shadow of that sibling is officially over. Ladies and gentlemen, Solange Knowles has officially taken to the limelight after several false starts and poor career moves. She did it using this remarkable video as a platform – a technicolour pop dream, full of bright colours, big hair and culture shock. With her most dapper friends in tow, Solange takes to the streets of South Africa and brings her eighties-town beats and sharp fashion with her. This more or less completely encapsulated every thing that is wonderful about Solange – and, better still, what more is to come.

Read my original post on Losing You here.

27. Fiona Apple – Every Single Night
Directed by Joseph Cahill

Many would choose an array of whistles and bells to signal their return after several years in exile. Then again, Fiona Apple always has – and probably always will be – unlike those that would fall into the “many” category. How does she begin her first video in over half a decade? With a make-up artist carefully placing an octopus on her head. Because of course she did. Every Single Night sees FiFi quite literally getting back to nature – burying herself in snails, feeding a crocodile, heaving against an aquarium wall and snuggling up to some kind of centaur. It’s an intensely watchable experience, really; and one that really drives home everything that is fervently creative and wholly unique regarding Ms. Apple. About damn time, too.

Read my original post on Every Single Night here.

26. David Byrne and St. Vincent – Who
Directed by Martin de Thurah

From his shoulder-pad shrugging to continuously slapping himself in the face, David Byrne essentially pioneered the weird-arse dance for music videos throughout the 80s. Now in his early sixties, the man has still got the moves – and here, it’s essentially a case of him passing the torch. On the receiving end is Annie Clark, who we all know and adore as St. Vincent. After Byrne discovers her lying in the middle of the road, it’s time that he teaches her to dance. It’s not long after this that they get other people in on the jig – figuratively and literally. Really, this couldn’t have come from any other duo – it’s jolty and absurdist film-making, bringing out a true sense of oddity that sees two generations of weirdos meld minds and shake hips.

Read my original post on Who here.

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Part two up next Monday!

Watch This Now: Kimbra – “Come Into My Head”

“You don’t speak the language, you don’t read my signs…”

Technically, this blog post shouldn’t even exist. If you know what Y,WGAV! is all about, then you know one indisputable fact: Kimbra is a goddess, an ambivalent deity that cannot be touched. Look at her credentials! Top 20 position for the best videos of 2010! Top 5 positions for the best videos of 2011 – yeah, she was in TWO! She’s one of the most-featured acts in this blog’s history. She is… she’s perfect. I LOVE Kimbra.

This is essentially a victory lap of my love, as she takes on a track from the US edition of Vows, her debut, with director Guy Franklin who also did the Cameo Lover clip. Here, we get to see Kimbra going batshit – and I mean that in the most delightful way possible. It’s flat-out disturbing to watch at times, as she bounds about the white room and does a far more convincing job of being crazy than bloody Ricki-Lee and her last piece-of-shit video. Watch out for the scalpel near the end, that’s all I’m gonna say. Do you need more convincing? Shit, are you even still reading this? Go! Scroll down!

Watch This Now: Gotye – “Save Me”

“All the dead ends and disappointments were fading from your memory…”

This does my heart good. The success of Gotye, all tall poppy syndrom aside, is wholly inspiring and so incredibly well-deserved. He’s one of the biggest stars in the world now, but is still constantly creating and making great art. The slew of videos that have come out in support of Making Mirrors are a reflection of that – it’s no secret that the Somebody video was/is kind of a big deal, taking out the top spot in our top 30 videos of 2011 countdown and getting nearly 300 million views on YouTube. Although this is a more understated effort – as well as a more understated song, really – it’s still quite a beautiful effort, for one of the best tracks from the album.

For Save Me, Wally de Backer has teamed up with animator extraordinaire Peter Lowey, who was last seen on this site with Art vs. Science‘s great video for With Thoughts video. In it, an animated Wally (presumably) begins as little more than wires and atoms. Over the time of the video, he slowly evolves and develops, growing more of his anatomy slowly but surely. He is growing into a fully-formed human. But something is still missing. It’s a painfully accurate reflection of the song’s ideas and emotions, gorgeously drawn and meticulously created. I think Lowey did an absolutely wonderful job with this – and if that’s the last we hear of Making Mirrors, then it’s a wonderful note to end on.

Watch This Now: Kimbra – “Two Way Street”

“We’re coming close to our fame, they’ll put a star beside our names…”

Okay, we’re all friends here, right? We’ve all come to know each other pretty well in the two years since I started up this blog, yeah? Great. Well, I’ve got to be honest – sometimes, I just post videos because I’m madly in love with the artist making them. Not to say that those videos are bad, not at all. It’s just that I push them to the front of the queue in order for everyone else to be swooning as much as me. It’s vain, it’s dumb and I don’t expect you to understand. It’s just what I do. So, now you know. On a completely unrelated matter, let’s talk about Kimbra. Yes, that Kimbra. For about the fifth time.

With her debut album Vows being released in the US (albeit with a disappointing tracklist), the campaign trail has been rebooted and this pretty little clip for one of her longest-serving live favourites is sure to get her global audience falling for her gorgeous tunes and unfathomably stunning looks. Yeah, it’s all part of the package. It’s pop music, whadaya expect? Kimbra still manages to wow me with her costumes and style every damn time. She goes for the Disney Princess look here – specifically thinking Snow White – and it adds to the sweet-natured exploration and adventure through both a forest and what looks like a mansion.

“Hey David, you didn’t pay much attention, did you?”

SHUT UP, INNER MONOLOGUE! I LOVE KIMBRA AND WE WILL BE MARRIED ON TOP OF A MOUNTAIN AND YOU WON’T BE INVITED!

…I mean, hope you like the video!

Top 30 Videos of 2011: The Top 10!

You guys! This is it!

I’ve teased you for long enough, dragged this fucker out as far as I could possibly stretch it. Now, at the end of the month, you all finally get to experience the ten best music videos released before December 31st, 2011 and after December 31st, 2010. Here, boys and girls, are Yes, We’ve Got a Video!‘s top ten for 2011!

10. Bon Iver – Holocene
Directed by Nabil Elderkin

I’ve often said that the best music videos can create a perfect atmosphere for the song that is its soundtrack. Many fine examples of this are scattered throughout the top 30, but I feel like very few came as close to this  than the effort for Bon Iver‘s second single from the strangely-titled Bon Iver, Bon Iver. Shot in the breathtakingly gorgeous surrounds of Iceland, a little boy wordlessly explores parts of this glorious country. It almost feels as though time is slowing down when you watch this video, taking in the excitement and the awe and the utter wonder that comes with this little boy. It’s a video in which you can’t just watch while you’re doing other things, checking emails or poking the person you like on Facebook or whatever else have you. It’s a full involvement – and this alone should serve as proof that the art of the music video is not dead. Videos like Holocene matter – and if you didn’t know that already, perhaps now is the time.

Read my original blog on Holocene here.

9. SebastiAn – Embody
Directed by So Me

Here’s a left-field smash from a couple of eccentric Parisians – director So Me and electronica producer SebastiAn. The latter is certainly not one to shy away from confronting and confusing imagery – you only have to take one glimpse at his album cover for Total, in which he is making out with himself, to know that. Teaming up with So Me seemed to be the perfect match, then, as the robotic electronica track is turned into the soundtrack for a peculiar tale of dancing, imagination and being lost in the music. The entire time, the viewer is left to wonder how much of this is “real” – or, at least, as “real” as something can get in a music video context. The ending won’t help, either way. It’s all still up in the air. What does this young man represent as he dances throughout the town and in a variety of situations? I say it all depends on how much you invest in Embody, and how you respond on an emotional basis to this seemingly surreal montage. There are dozens of end results, subsequently, and that’s part of what makes this such an excellent video. Nothing quite like it came out in 2011.

8. Brendan Maclean – Cold and Happy
Directed by Peter Ireland

Top ten twice in a row? You’d better believe that Brendan Maclean and Brisbane director Peter Ireland are onto something. After the wild circus-tent madness that was Practically Wasted, the opening number from B-Mac’s White Canvas EP, the second single was a more subdued affair – initially, at least. Maclean has gone from a manic split personality of the slave and the master to a humble bingo night runner. It all seems sweet, up until a cheeky elder citizen decides to do something a little different with dessert than just eat it. You’ve probably guessed where this is headed, but it’s not the predictability that is Cold and Happy‘s selling point. It’s the utter charm of the thing – the liveliness, the sweet nature, the subtle streak of naughtiness. Cold and Happy is a joy to watch, every single time.

Read my original blog on Cold and Happy here.

7. Tyler, the Creator – Yonkers
Directed by Wolf Haley

Kanye West had no bones about straight-up calling this “the video of the year.” Not too outlandish – except, let’s remind you, that he said this back in February, when the video was released. Nearly a year on and he’s not too far from the truth. How could Yeezy – as well as Tyler, the Creator himself – have gotten it so right? After all, it’s not like Yonkers sets out to be anything inventive or fun – it’s quite intentionally an off-putting and ugly video. Shot in ghoulish black and white, Tyler raps on a chair before eating a cockroach, vomits and then hangs himself. It’s vile, it’s indulgent, it’s creepy, it’s… well, it’s utterly watchable and completely fascinating. For all of its efforts to turn Tyler into a vile creature, it becomes increasingly difficult to turn away from the video – no matter how much the envelope is pushed. Having Tyler himself as the central character with literally no-one else apart from the aforementioned cockroach in the video also engages you as a viewer in a very confronting one-on-one perspective. To me, Tyler was easily the water cooler act of the year – from this to the controversy surrounding the Odd Future Wolf Gang Kill Them All crew, it seems that nearly every music fan was discussing this very peculiar young man. I think the greatest thing that can be said, though, is this: whether you were a fan of the group or whether they sent you into a hyperbolic “think of the children” frenzy not seen this side of when Eminem was relevant, Tyler, the Creator made music fans feel something either way. Bold and brazen, Yonkers was definitely a clip that needed to be seen to be believed.

6. Katy Perry – Last Friday Night (T.G.I.F.)
Directed by Marc Klasfield

I feel like there’s been a major renaissance in the top 40 pop video in the past few years. You could certainly link this to acts like Lady Gaga, who took out the top spot in last year’s countdown with flying colours thanks to the game-changing Telephone. Overall, though, I think it’s just a case of a lot of pop acts realising that there is more to a clip than just to move numbers, and for gratuitous bitches and bling. It’s an art form, and one that can be celebrated no matter what walk of musical life you come from. Sadly, aside from outstanding efforts from both Ke$ha and Britney Spears, no pop act quite managed to cause quite the frenzy that Gaga did last year – not even Gaga herself, with a slew of mostly quite disappointing videos from her batch of Born The Way singles. May it be put on the record, however, that the divine miss Katy Perry came the absolute closest.

A singles and video machine, Perry secured two positions in last year’s countdown for Firework and California Gurls, but in 2011 she managed to make a video that was greater than all of her previous ones combined. Put quite simply, Last Friday Night was the pop video event of the year. Amazing, then, that this happened without Perry herself even appearing in the video. Not even once! There was a young lady who looked remarkably like her, though – thirteen-year-old Kathy Beth Terry, a daggy teen who simply got caught up in a whole heap of craziness one Friday night. Whilst trying to study, she became distracted by the party across the road, hosted by the adorable Rebecca Black; furiously heading over there to sort out the mess. The rest, as they say, is history: Hanson rock up, Kenny G plays a sax solo, Artie from Glee falls in love and kicks arse… all in all, it’s one hell of a party.

This easily set itself up as one of the most fun-loving and delightful viewing experiences of the year. The whole team really went all-out here, delivering a gorgeously glossy pop video that truly did take the meaning of the song to another level. The chunks of pop-culture-reference gold also makes this a must-see video for all pop trainspotters out there. See if you recognise who the parents of Kathy are near the end of the clip, for instance! There’s just so much to enjoy about this. Don’t act like you’re too cool for it.

Read my original blog on Last Friday Night (T.G.I.F.) here.

5. Manchester Orchestra – Simple Math
Directed by Daniels

Pretty much anyone who’s heard more than a fleeting moment of Manchester Orchestra‘s music is sure to confirm that this isn’t an act that does things half-heartedly. They are an all-in, often quite heart-wrenching experience – and that’s just from listening to them. It gets all the more powerful when given an audio-visual aspect, as proven with this stunning visual companion to the title track of the band’s excellent third album. In this clip – the second appearance in the countdown from the unstoppable Daniels direction team – a series of road-related experiences are tied together in a seemingly jumbled memory. It takes awhile for the whole thing to sink in and be properly understood, but holy mother of God when this thing hits…it hits hard. Artistic beauty, and something that everyone involved should be so incredibly proud of.

Read my original blog on Simple Math here.

4. World Order – Machine Civilisation
Directed by Genki Sudo

“I am around the odd section of YouTube once again,” exclaims a user of the site, commenting on a music video. It’s a common expression amongst users, often going down “holes” (in which one clicks on a related video, then the a related video of that related video, and so on), often coming across very bizarre and crudely-made videos the further they go down said “hole.” Were such a hole to lead them to something as original, creative and downright awe-inspiring as Machine Civilization, the stunning music video from Japanese collective World Order, one would have to think that the destination was more than worth the journey.

What can be said about a video that is bound to leave you speechless? A team of seven men – including Genki Sudo, the brains behind World Order and the director of the video – begin their journey at what appears to be Tokyo airport.  From there, they defy both time and physics with some out of the ordinary choreography, moving from seaside wharfs to industrial lots with their shapeshifting dances. I’m not sure if dancing is the right word for it, but whatever they are doing… man, some of it just defies belief. If this video doesn’t make you stop dead in your tracks at least half a dozen times, you’re not watching the right video.

It’s worth mentioning all of it was done in real-time, too – all that shit that looks as though it’s totally warped and slowed down is a genius optical illusion. No kidding. Machine Civilisation is a shining example of exactly what can happen when one ends up on the odd section of YouTube. A song brought to life in a way that no-one could have seen coming.

3. Kimbra – Cameo Lover
Directed by Guy Franklin

To me, the most powerful command issued in pop music all year was probably the most simple – “Open up your heart!” as sung by the stunning Kimbra Johnson. Her noble quest to get the person on the receiving end of said command is brought to life through this clip, making for some absolutely wondrous results. It’s been a fantastic year for Kimbra, dropping her debut album in Vows and selling out shows all around the place. For all those achievements, though, I can’t help but feel nothing quite compared to the outright endorphin-releasing delights of the Cameo Lover video. Can you blame me? Have you seen this thing? With its technicolour landscape, delightful costumed characters… oh, and that ENDING! Holy shit, I don’t think any video has quite responded to the glory of a key change in such gorgeous fashion. I have watched this video possibly more than I have watched any other clip this year, and it still makes me as giddy as anything when I watch it. It’s just an absolute treat for the senses. Exactly why the hell HAVEN’T you opened up your heart yet?

Read my original blog on Cameo Lover here.

2. Children Collide – Loveless
Directed by David Michôd

Sometimes, sacrifices are made in order to create a great music video. It could be doing some crazy shit with fire, some mad stunts, even learning to jump rope (as the previously-listed Bluejuice had to do). In this instance, Children Collide‘s frontman Johnny Mackay sacrificed his most defining visual aspect – his long flowing locks – in order to create this dark, confronting and shatteringly powerful video. Seemingly not a big sacrifice – surely rockstars get a slab of “get a haircut” jibes all the time. Not only is this Children Collide’s best video, it’s amongst one of the greatest works of art this country has produced in the last few years. Hyperbole? Sure, if you want to play it like that. But watch this video from start to finish, without any distractions, and just see if it doesn’t feel like the visual equivalent of being punched in the guts.

There is no escaping Mackay’s desperation as he sits close to the camera, spitting out the lyrics with the kind of cathartic vitriol you can only imagine was in his mind when he wrote them to begin with. He begins with a headful of hair and a face full of clown make-up, both of which are forcefully taken from him as he sits there and gets what is coming to him. As the lyrics describe the demise of a relationship, Mackay himself lets go of everything resembling him – including playing the clown, explaining the Joker-esque makeup. An obvious metaphor, maybe, but don’t like it didn’t paint you curious the second his face appeared on-screen.

While there are a lot of very broad and powerful expressions here, I found the most impact in the subtler moments of the clip. Director David Michôd, responsible for the landmark Animal Kingdom, holds down Mackay in one scene with a firm headlock – a small but startling part of proceedings. At the very end, Mackay also runs his hands through his newly shaved head and freshly clean face… only for us as the viewers to find that he has been handcuffed this entire time. It slays me every time – this tiny little twist, one that most might not even pick up the first time around; representing the trapped, helpless feelings conveyed throughout both the song and the video. And it’s moments like these that make this video what it is. Loveless is a deeply personal and often quite scathing vision – essential viewing, but it may cut much too close to the bone for some. In many ways, that’s the point.

Read my original blog on Loveless here.

1. Gotye featuring Kimbra - Somebody That I Used to Know
Directed by Natasha Pincus

Yep. You probably guessed it. Maybe I’m that obvious, or maybe you’ve found this whole list to be predictable. Or – maybe, just maybe, there was absolutely no contest as to who would take out the top spot when it came to the year’s greatest videos. Think about it for just a second. Has any video from this year generated this kind of response? This kind of movement? This kind of emotional reaction? This many bloody reposts on Facebook? This was the year that Wally de Backer - best known to you and I as Gotye – became perhaps the most unlikely popstar Australia has produced this century, aside from maybe Luke Steele. Eyes Wide Open got the ball rolling – it fell just shy of our top 10 last year, coming in at number 11 – but the song and video phenomenon of Somebody is where the tide truly changed.

With body paint, stop-motion photography and no-one except Gotye and miss Kimbra Johnson (back so soon, ma’am?) in the video, this was a shining example of a living, breathing work of art. It takes you by surprise the first time. “Were they really butt-naked? That’s how much of their body covered in paint? How are they both that good-looking?” Maybe that last one’s just me. The second time, you notice the littler things – the apathy in Wally’s eyes in the first verse, the passion of that first chorus and the way he just winces as though a band-aid has been torn off his person after Kimbra sings to him.

As for Kimbra, it’s in the way she shrugs her shoulders and glides to his side. It’s that look of utter desperation and remorse when she howls into Wally’s face, while he never makes eye contact. By the time he does, it’s too late. They stare at one another from a distance – longingly, regrettibly – before it suddenly cuts to black. It should be noticed that this is when they are simply observed. It’s in the views that come after this – and, for most, there were more than plenty – in which the smaller pieces of the puzzle truly began to be felt. For many, it hit like a truck – whether you had felt the pain of either character, whether you were in the right or in the wrong, this video resonated. It smacked you in the face. It really made you think. With all of that in mind, how many videos can you honestly say has done that to you in this, or any other year?

Somebody That I Used to Know is a unique, artistic experience. A video that will certainly grow iconic in its status. A video that notched up the bar for Australian music videos and music video makers (kudos, Natasha Pincus) and still managed to clear it.

Video of the year? Of course – it’s the obvious choice, after all.

Read my original blog on Somebody That I Used to Know here.

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That’s it! Thanks so much to all of the artists, all of the directors, all of the producers, cinematographers… EVERYONE who worked on these videos! Your efforts are remarkable, and if I could have given you anything more than my highest of accolades than I would in a heartbeat!

Yes, We’ve Got a Video! resumes normal programming this time next week. Until, then, make sure you’re caught up with the following:

Don’t forget to leave a comment below; or, of course, drop me an email!

See you guys soon!

Watch This Now: Gotye – “State of the Art”

“We can pretend there’s an orchestra in the loungeroom…”

Well, I’m pooped. Dozens of videos, an award nomination and probably more blogging than I’ve done in one week than probably any other week in the history of the blog. In other words, it’s been a mental comeback week – and the hundreds of views I’ve been getting every day are at least an indication that it’s not all in vain! Let’s wrap the week with a smashing new animation from Gotye, who you may know from ABSOLUTELY FUCKING EVERYWHERE RIGHT NOW thanks to his hit Somebody That I Used to Know. Overplay aside, the man born Wally de Backer is killing right now with his chart-topping Making Mirrors record – and a very clever animation team has put their work towards one of the more peculiar tracks from it.

Essentially telling the tale of a man obsessed with a new organ, it’s brought to life with charming and cute animation in this clip, which pays remarkable detail to every last movement within the song. Seriously, it syncs up perfectly! I first saw this clip when I caght Gotye live at the end of last month, and I’ve loved it ever since. Seriously, it involves Gotye – the guy is freaking King Midas right now. You can’t really go wrong here.

And with that, I am OUTTA here. Thanks so much again for the positive feedback and the support – very much appreciated! Seeya next week.

Watch This Now: Kimbra – “Good Intent”

“You know you shouldn’t be there, but your money’s all spent…”

What a freaking year this woman is having. Holy shit. It wasn’t just enough for Kimbra to be a part of the biggest Australian song of the year, not to mention two of the best music videos of the year. No, she just had to add a sold-out national tour, a brilliant debut album in Vows,. compliments on Twitter from Katy Perry…and, now, this. What more could a gorgeous Kiwi girl ask for?

With video number three, Kimbra has posed that age-old question of exactly where one goes after burning up dolls, shaking tambourines and stunning chiseled men in pink suits? The answer’s simple, really – you go old school. Massively old school. We’re talking zoot suits, cabaret, chanteuses, stunning vintage dresses and a little bit of that old black magic. Oh, and to make things even cooler/sexier/more awesome, why not ensure that there’s not just ONE Kimbra in the video, but three? I’m sold. Aren’t you?

With some very slick dance moves from both the Kimbras and the suited gents (also all played by the same guy), it’s quite easy to get into the groove of what is easily Kimbra’s sexiest video to date. It’s smooth and sultry, playing off the jazzy swing of the song perfectly. What’s even better is that you can pick a favourite Kimbra! It’s not often you get to do that, is it? I’ve personally gone with the one in red – effortlessly sexy, playing it cool throughout the whole video. See which one floats your boat the best…

Watch This Now: Gotye feat. Kimbra – “Somebody That I Used To Know”

“You said that we would still be friends, I’ll admit that I was glad it was over…”

This was a match made in heaven from the get-go. Not only are these two absolutely phenomenal musicians, Gotye is responsible for one of the best videos of 2010 in Eyes Wide Open and Kimbra remains the frontrunner for best video of 2011 with Cameo Lover. How could this have possibly gone wrong? Impossible. And so here we are, with my jaw stuck somewhere on the floor and refusing to move – Somebody That I Used To Know is absoutely stunning. No question.

Interestingly, this is the first Gotye video since Out Here In The Cold to actually feature Wally DeBacker in his human form. That’s quite literal, by the way – both he and the gorgeous Kimbra bare all in this body-art extravaganza, with only a simple series of shots mixed in with hundreds of photographs. Having Wally sing the song straight down the camera barrell initially is quite confronting, but it adds to the beauty of the video and establishing this extended visual metaphor of distance between jilted lovers. It’s very powerful stuff, and I’m not going to write any more on the matter – I have a replay button to rock the living shit out of. Go do the same.

Watch This Now: Kimbra – “Cameo Lover”

“You turn from the skies, you dance with your demise…”

Holy freaking shit. Ladies and gentlemen, I’m not a man to make rash decisions, or overexaggerate too often. With that said, I just need to blurt this out: I think I may have seen the video of the year, the video of the decade and the most amazing thing I will see for the rest of my life. Ladies and gentlemen, please experience the bedazzling, sensational new video for expatriate Kiwi sensation Kimbra.

What can I say? Cameo Lover is gaymazing. Absolutely everything about it is gorgeous, bright and mesmerising. From Kimbra’s adorable red dress to her slew of tiny backing dancers, right up to the tambourines and the stunning choreography, I’ve fallen head over heels in love with this video. While her last video, Settle Down, was quite a dark affair, its sequel couldn’t be more fabulously bright if it tried. Ahh, confetti! Dancing! Multi-coloured suits! This is an absolute stunner, breataking in parts and just downright wonderful in others.

This is all just pure hyperbole to you, and you have every right to ignore everything I’ve written here. Except this: Watch this now, as soon as you possibly can. Kimbra is the future of Australasian pop.

(don’t forget to watch in HD!)

Top 30 Videos of 2010: 20 – 16


20. Kimbra – Settle Down

The gorgeous Kiwi-born singer certainly knew how to make a first impression with her debut video, presenting a twisted fantasy (no, Yeezy, it’s not beautiful and dark) involving dollys, pretty cinematography and fire. That will all make sense once you’ve seen the video, trust me. I love this video on account of its creativity and its fearless imagination – it’s increasingly rare to find that in any international pop music, let alone stuff being created so close to home (Kimbra now lives in Melbourne). A breath of fresh air that was very much needed in 2010.


19. Ben Folds and Nick Hornby - From Above

One of the more interesting collabs from the year saw piano punk Ben Folds get his groove back thanks to About A Boy writer Nick Hornby. In this video, Hornby’s words come to live through visualisation – thankfully, with no appearance from Hugh Grant in sight. It’s a simple black and white animation which truly drives the messages woven into the song right home to its viewers. Poignant, cute and really cleverly done, if you haven’t experienced Lonely Avenue yet then hopefully the video for From Above will be your catalyst.


18. The Bedroom Philosopher – Northcote (So Hungover)

No matter where you were in 2010, Justin Heazelwood brought back the novelty song in amazing fashion, taking on a topic no Aussie had considered tackling before – the boho hipster. You know the type – cardigan wearer, apathetic about most things, in a band, arrogant… the Beddy Philly (thanks, Robin from The Boat People!) nailed this character perfectly. The song’s re-enaction instantly generated plenty of laughs and high rotation on Channel [V] and rage – he even dressed up in his hipster uniform when I saw him play the song live! Some great cameos in here too – look out for Kram from Spiderbait, Tim Rogers and Miss Angie Hart!


17. LCD Soundsystem – Drunk Girls

Really, it was only a matter of time before James Murphy and co. were sabotaged in the making of their own video by a gang of vicious, anarchic pandas who throw glitter everywhere, trash studio sets and smear make-up all over the band. I’m just personally quite glad and eternally grateful that LCD Soundsystem were brave enough to put together the remaining footage and present is as the music video even after the painful ordeal that they were put through during the making of what should have been a groundbreaking performance video. Y,WGAV! salutes you!


16. Willow Smith – Whip My Hair

As they say in the hip-hop world, this shit was a motherfucking gamechanger. You’d expect something wild from someone who’s DNA partly consists of The Fresh Prince of Bel Air, but this was one of the most extravagant and stupidly fun videos to be unleashed in the pop world for quite some time. I mean, come on! The colours! The dancing! The kids being liberated! What’s not to love? Quit guzzling the haterade and appreciate this for what it is – the guiltiest of pleasures, but pleasure all the same.

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